R. Shanea Williams' award-winning short, Contamination blew me away. There's no other way to describe how amazing the performances and technical touches were. The atmosphere immediately inspired concepts of being low-key genre, a darkness that underlined a work that cannot be necessarily be labeled horror or thriller, but Williams' influences are clear. She has a deep commitment to the horror genre much to my delight. And a specific mission to offer other women of color starring roles where we struggle for prominence.
Our communication since has been consistent. On the dawn of her latest project, a supernatural psychological horror construction titled Paralysis, I asked the filmmaker to offer a taste of insight into creating this story. Paralysis centers around a photographer suffering from a sleep disorder who begins to believe that something very dark and supernatural is infesting her mental wellness. Her words explicate beautifully her intimacy with such a terrifying experience and the process of bringing it to life.
*production stills by Adam Richlin
*behind the scenes photos by Mshon Pulliam
*words by R. Shanea Williams
*words by R. Shanea Williams
This story came to me definitely in a very organic way. I
didn’t even know this was going to be a horror film until I really started
writing it. Seriously. The greatest writing advice I’ve ever received came from
my professor Daniel Goldfarb while I was in the graduate Dramatic Writing
program at NYU. One of the things he said was “Write what you’re afraid of.” So
I ALWAYS start there when I’m toiling with an idea.
I’d already been kicking around this idea about my protagonist Jessica and that she was this tough yet emotionally wounded woman, fighting inner demons. Next thing you know it all just clicked, Jessica has been battling sleep disorders, especially sleep paralysis as well as depression.
Growing up loving “The Twilight Zone” (thanks to my Mom), I
always wanted to make something psychologically dark and eerie. I’m really obsessed
with the Unknown. Psychological horror is my favorite subgenre of horror and so
it all just pieced together.
I worked tirelessly on the script. Eleven drafts. I’ve never
written that many drafts of anything but this story really demanded to be as
tight, as interesting, as suspenseful and as emotionally compelling as
possible.
 |
| Williams (left) with producer, Anthony Davis |
Hiring a fantastic team was the first step. My producer
Anthony Davis and I are all about working with talented people who have good
energy. For any film to breathe with life, you have to get the right cast. I
was so fortunate to get these incredibly gifted actors: Nia Fairweather,
Antoinette LaVecchia, DK Bowser and Nedra McClyde. They are all brilliant and
brought the characters to life beyond anything I had imagined on the page.
I always knew I wanted to work with Nia. I felt in my gut
this was the perfect opportunity. She was profoundly committed to bringing
Jessica to life and was just a dream to collaborate with. Since she’s in LA and
I’m in NY, we had weekly meetings where we’d discuss the script in relentless
detail. She really had a handle on Jessica and it helped me as I touched up
drafts of the script. She researched the character, the themes and story as
tirelessly as I did. It was divine.
We also had an amazing (I must emphasize AMAZING) crew who
worked so hard on set and just seemed to be super excited in bringing this
script to life. The entire crew was a joy to work with. My DP Adam Richlin is
super talented and totally understood what I wanted to capture visually. It was
really magical just looking at that monitor each day on set and seeing this
script come to life. Magical. That’s pretty much the best way to describe this
entire experience so far.
Check out the trailer below and let R. Shanea know what you think!
