Skip to main content

Horror Hollywood's Unsung

Since beginning this venture, I have grown to be enamored by, respect, and admire the Black women in the horror genre who aren't highlighted enough in retrospectives and historical horror work. It's so important to know that these women have stories to tell and that there is an incredible life left to live if agents stop calling. The work they've demonstrated in genre film is truly memorable, and I'm relieved that there are more people going in depth to discuss the effort these women put forth in the entertainment industry. Beautiful, talented, visible,  you need look no further in asking if Black women's presence in horror has had any impact.


Vonetta McGee


"I Always Loved The Way She Said Mamuwalde..." - Invisible Woman... Black Cinema At Large,
August 1, 2010


Gloria Gifford



Geretta Geretta



Marki Bey

"Do You Remember Marki Bey?" - Reelsistas, May 1, 2012


Marlene Clark


Popular posts from this blog

28 Black Women Horror Filmmakers

1. Zandashé Brown, Blood Runs Down (2018) 2. Raeshelle Cooke, Last Words (2015) 3. Tamara S. Hall, A Night At The Table (2019) 4. R. Shanea Williams, Paralysis (2015) 5. Monica Moore-Suriyage, Black In Red Out (2016)

How MIDSOMMAR Utilizes and Subverts Horror Movie Tropes of People of Color

By Mary Kay McBrayer ( @mkmcbrayer ) For a film that could have been easily white-washed, Ari Aster’s Midsommar does have an inclusive cast. Before our characters are even taken to Sweden where most of the film's dread fueled action takes place, we meet them in their college town. Dani (Florence Pugh) stresses about her sister’s scary email while her boyfriend, Christian (Jack Reynor) drinks at a bar with his buddies, only one of whom is black named Josh ( The Good Place 's William Jackson Harper). I have watched enough horror movies to know—and I’ve been brown enough long enough to know—that this setting does not bode well for a person of color. The token minority, say it with me, tends to die first. Because of this ratio, I expected a few other established tropes of the horror genre in Josh’s character, too, and I have to admit, I was delighted and surprised that nothing played out the way I expected.

Looking Back & Hoping Forward: Candyman

Candyman has been a delicate enigma, a tale, a very tepid preoccupation of mine since I was ten. It began with the gold glare of the sun through my mother’s bedroom window. Her often condensed space, accentuated by the imposing almost Beetlejuice-inspired black furniture, stationary yet bustling clutter; both new acquisitions and relics from a time before me. And her “bulbous” television as she would call the appliance, positioned central in her reliance on its distractions from her ever 40+ hour work weeks and (even with the father of her two youngest in the apartment), raising three children on her own. It faced her queen-size, perched on a dresser-storage hybrid. Likely, the time was Fall, possibly a video store rental. Sure, no one’s around, I’ll watch Candyman, why not. I had been watching films like Hellraiser since I was about six.