In Fates Keep, at the foot of Mt. Empyreal, snow begins to
fall.
As does the battle for the world.
When I first heard about this concept, I was fascinated. Two authors not only working in one world, but writing the same story. Crystal Connor, a trusted name in horror, and Lori Titus, well-established paranormal romance author came up with an idea for a post-apocalyptic novel. Soon, they realized they had different approaches and different visions for the end of the world. Then they had an idea.
Write two books, each under a collaborative pen name.
I reached out to both women to interview them about their books and how horror became a part of their life. The interviews will run with a month or so between them as the authors have said they’ve experienced some confusion from readers in the past about who wrote what (and why and how). Maybe these interviews will provide some clarity.
I reached out to both women to interview them about their books and how horror became a part of their life. The interviews will run with a month or so between them as the authors have said they’ve experienced some confusion from readers in the past about who wrote what (and why and how). Maybe these interviews will provide some clarity.
Up first, Lori Titus’s vision: The Guardians of Man.
Guardians is an epic tale, with multiple interwoven storylines that come together in a visual big screen film-like ending. You’ll find humans, Wolves and Celestials all vying to be survivors at the end of the world. Along with the horror, you’ll find tenderness and an honesty in the characters that I found to be refreshing in this type of apocalyptic work.
Guardians is an epic tale, with multiple interwoven storylines that come together in a visual big screen film-like ending. You’ll find humans, Wolves and Celestials all vying to be survivors at the end of the world. Along with the horror, you’ll find tenderness and an honesty in the characters that I found to be refreshing in this type of apocalyptic work.
This is a well-paced novel with short chapters—needed in a
book like this, as there are a great many characters. It’s apparent that Guardians is heavily researched and
grounded in realism because it leaves you with the feeling that somewhere out
there, this story is happening right now. And you feel lucky that you don’t
have to fight this fight.
I don’t want to spoil too much about the books, but take a
look at the book trailer for The Guardians
of Man by Connor Titus:
First of all, thank you for granting me this interview. Tell
us a bit about yourself and your writing style.
I am from Los Angeles, and I started writing stories when I
was nine. I never stopped writing, but it was a hobby, and pretty much a secret
of mine for a lot of years. I started submitting short stories, and quite a few
of them got published. One editor wrote me back about a short story that I had
written for his site, wanting to know if I would like to serialize it.
The serial eventually became the basis for my first novel, Hunting in Closed Spaces, about a young
girl named Marradith with extraordinary powers. Because of the things that she
can do, she’s considered a valued commodity to some, and a dangerous enemy to
others. Marradith’s journey is about
navigating between powerful figures that are not so easily categorized as good
or evil, finding her place within the system of power players fighting for
control. Along the way there are doses of romance, magic, werewolf lore and
lots of action.
These days I am always in the process of writing or editing
projects, if not both. I have always loved horror, but I also enjoy paranormal
(anything with psychics, telepathy, telekinesis, etc.). My mother and sister
were both horror fans, so I credit them with my early love of anything
frightening or outside the realm of the ordinary. We used to say that books and movies were
supposed to be an escape, so why watch or read something without a sense of
imagination?
What inspired you to write Guardians of Man? What is special about this novel and how was it working with another author on a project?
Crystal and I had been talking about working together. I sent
her some writing prompts and she responded by sending back the first chapter of
a story about townspeople trapped inside their homes as they awaited the first
snowfall of the year. After that, we were both hooked.
We would each write a portion and send the manuscript back
and forth. The characters took hold, and from there it was just a matter of
hanging on for the ride. The people of The Keep are ordinary people faced with
some extraordinary circumstances. The guardians who have been sent to protect
them have more than their share of obstacles to deal with.
Once we reached the middle of the story, Crystal told me her
idea: that we should split up, making two separate versions of the story. The
point was that this would allow us each to have our own ending, and see how far
apart each version ended up. Though we’ve both done research, neither of us has
been able to find any other writing team who did this- starting off with one
novel and co-authoring two books from the same storyline.
I really enjoyed working with Crystal! I would get anxious
every time I sent her part of my copy because I was curious to see how she
would add to it. We had a lot of fun playing with (maybe even torturing a
select few) these characters. We really did work off of each other’s energy. It
was great because not only were we able to share the story, which is something
that just doesn’t happen when you’re writing alone, but we were always inspired
to bring our very best to the table. We’re both competitive creatures at heart.
The hardest part was the first few weeks after we split from
writing together. In fact we stopped
talking to each other altogether because we were afraid something about one of
the books might slip out in conversation. After a while we were able to talk to
each other about different things, and that made me feel better about keeping
secrets about my side of the story.
There is a heavy military influence in Guardians. How did
you perform your research for these characters and scenes or did you have
existing knowledge to draw from?
Crystal is a veteran and has done heavy research on weapons,
so this was one of her skills that came in handy. It made a lot of sense that our townspeople
needed to be mostly military stock; service members would have survivalist
training that would be essential under such extreme circumstances.
What made you choose Connor Titus—your writing partner, Crystal Connor’s last name paired with yours—as a pen name?
I don’t think that we had talked about using anything other
than our own names to begin with. Our manuscript was labeled 'Crystal_Lori
Generic Title' to begin with. At some point I put “Titus” on mine, and during
the passing of the manuscript between us, it came back as Connor_Titus. I emailed her then and said, “This is it! Connor Titus
should be our pseudonym.” I like that both names have a strong sound to them
and both are names that can be either first names or surnames. Crystal liked it
too, so we went for it.
For you, what makes a great horror tale? What do you like to read?
For you, what makes a great horror tale? What do you like to read?
I think that great horror has to do with appealing to the basic fears that we all experience: claustrophobia, fear of pain, fear of death, loneliness. A really good author knows how to dress these fears up in ways that will make the reader connect, even when the atmosphere is unfamiliar. For instance, being trapped inside your own home can be just as terrifying as being trapped in a boat at sea or in a capsule adrift in space. Horror is about giving a place and time for fears to be explored in a safe way.
I like to read horror, but I also enjoy other genres. I am
always trying to fit in more time to read. Right now I am reading a collection of Gothic
short stories in between chapters of a popular mystery novel.
How can African American artists (actors, writers,
filmmakers) succeed in horror and dark fiction circles? How can women? Do you
feel your work has been received differently as a Black female author?
Personally, I have been pleased with how I have been
received as an author. I have found that fans of my work usually span across
all kinds of people. I think the most uncomfortable question I ever received
was about Shannon Vega, one of the characters from Hunting in Closed Spaces. I had someone ask why I included a
character that was Latina. My answer was that I grew up in a big city, and that
most of my stories reflect a mix of people.
As a female author, I believe my work definitely has a
feminine voice and I think of that as a good thing. I am comfortable with my
phrasing and telling of stories, and that comes across to the reader. Because I
have mostly worked with small publishing companies, I haven’t experienced the
pressure to fit in with male colleagues. Readers can spot phony a mile away. If
you’re using a voice that’s not your own, they can feel it.
As African Americans, we have to find ways to make a place
for ourselves at the table, rather than waiting for those opportunities to come
from outside sources. Writing and
filmmaking both rely heavily on being able to find funding to get things done
and networking to help get marketing across to perspective viewers or readers. It’s
not easy, but we have seen some breakthroughs in the past few years. Hopefully
one success story opens up opportunities for others. Think about how many more
women and people of color have chances to be seen because of Shonda Rhimes or
Tyler Perry.
What’s your next project?
I am very excited about the next novel that I am about to
release, tilted The Bell House. After a death in the family, Jenna Bell
McBride moves back to her father’s ancestral home. There are two houses on the
property, one occupied by her half-sister, Diana. They grew up apart, and don’t
know each other well. Between the two, there are many family secrets, and some
of the stories that they have been told about each other are not entirely true.
The real danger is a malevolent force that remains on their land, bound there
by tragedy and the blood of ancestors that came before them. It’s a Southern
gothic tale of a modern black family, with issues, revenge, and some very nasty
supernatural goings on.
I am currently about halfway through another novel, which I
won’t talk about just yet. Other than that, the editing process for the second Marradith novel, The Art of Shadows, will begin within the next couple of months.
What’s missing in fiction?
What shape would you like to see the future of horror take?
I’d like to see more indie authors take the spotlight. It seems like that’s where a lot of the new
ideas are. As far as movies are concerned, it would be nice to see some new
manuscripts getting play, rather than these franchises with three or four films
already attached. There’s really good things out there being written – it’s
just that those books and movies aren’t necessarily getting the attention that
they deserve.
How can female authors gain a larger share of the horror fan
base?
Female authors have to work to make a name for themselves
without changing their style or bending to pressure to make their work more
“marketable” for what they think horror fans want. You can’t predict what
people will be drawn to, but you can put genuine emotion and joy into your
work. Those qualities are always compelling. I think we worry far too much
about what separates male and female readers instead of what we find our own
happiness in writing. I would tell authors to remember that horror is a very
open genre, ranging from subtle, Gothic style horror all the way through
extreme, gut wrenching terror. Each author has to find their place within the
spectrum, the zone that they feel comfortable with their characters playing in.
What’s the most difficult part of writing for you?
It depends. Some stories have a difficult middle, others
have a thorny ending. There have been times where I have put one story down and
started writing another before I can get back into the feeling and rhythm
needed for a particular manuscript. Sometimes life just gets in the way. There
are times when you simply must put aside your story to study for school or
complete a project at work. That said, even on a difficult day, I really do
love writing. I look forward to getting back to my stories when I am having a
bad day, and I daydream about my characters when I’m bored.
Thank you for the interview.
Is there anything else you like to mention?
Thanks for doing this interview with me! I hope your readers
will give my work a try.