Kane Hodder's Story Is So Heart Warming, It May Save The World

A montage of Jason Vorhees killing a bunch of people putting a smile on my face is a pretty strange reflection on my own possibly wavering sanity. Really, its a reaction peaked by memories from solo viewings to social interactive commentary about these not-so mindless slasher films. I love revisiting the latter Friday the 13th films because this one person out of the half dozen was able to give the star character, signature menacing movements in his undead form. In turn, the man most remembered for playing this horror icon, Kane Hodder, turned me into a puddle of sympathy with no makeup in another role, the beginning of Hatchet II (2010) as a lonely man who loses everyone he's ever loved. I was reminded so vividly of these gripping reactions while watching the stunt man/actor's life chronicled in To Hell and Back: The Kane Hodder Story. This feature documentary just magnified all of those feelings with a sincerely honest, funny, fearless, and self-aware Kane taking back his narrative and expelling any miscommunication by exposing the man that he truly is.

To Hell and Back is as raw as documentaries get. Most fans of Hodder are aware that he was severely burned in his past, but this in-depth piece explicitly details the never told on camera journey that has essentially made Kane the guy he is today. There is so much more great nuggets of history told about Kane's stunt work, the Freddy vs. Jason whomp whomp, fan interactions, and quite a bit more shard by his friends and colleagues such as Bill Moseley, Robert Englund, Cassandra Peters, Adam Green, and Bruce Campbell.

A spellbinding story with enough heart to crumble the most stoniest of us, To Hell and Back's purpose is to help and inspire burn survivors. The funds raised for film through Indiegogo went to the Bothin Burn Center in San Francisco, the medical facility that helped Kane recover from near death. Director and industry veteran Derek Dennis Herbert combines the emotional energy from Kane and company's powerful words with imagery that makes this documentary more than a talking heads sequence. To Hell and Back is an experience, and a story that breaks the boundaries of a simple retrospective on an actor's career, showing us just how much it takes for every, single breathing person on this planet to fight their way through adversity and hopefully, help others. I unashamedly love my Part 7 and Part 8 Jason Vorhees, but I knew when I saw the man behind the mask, there was a real tenderness there that I'm grateful Kane has offered with an audience.

28 Black Women Horror Filmmakers

1. Zandashé Brown, Blood Runs Down (2018) 2. Raeshelle Cooke, Last Words (2015) 3. Tamara S. Hall, A Night At The Table (2019) 4. R. Shanea Williams, Paralysis (2015) 5. Monica Moore-Suriyage, Black In Red Out (2016)

How MIDSOMMAR Utilizes and Subverts Horror Movie Tropes of People of Color

By Mary Kay McBrayer ( @mkmcbrayer ) For a film that could have been easily white-washed, Ari Aster’s Midsommar does have an inclusive cast. Before our characters are even taken to Sweden where most of the film's dread fueled action takes place, we meet them in their college town. Dani (Florence Pugh) stresses about her sister’s scary email while her boyfriend, Christian (Jack Reynor) drinks at a bar with his buddies, only one of whom is black named Josh ( The Good Place 's William Jackson Harper). I have watched enough horror movies to know—and I’ve been brown enough long enough to know—that this setting does not bode well for a person of color. The token minority, say it with me, tends to die first. Because of this ratio, I expected a few other established tropes of the horror genre in Josh’s character, too, and I have to admit, I was delighted and surprised that nothing played out the way I expected.

Re-Routing The Horrific & The Black Subject In Film With Dianca London Potts

Black horror. An entity of its own, mattering the pulse of the film industry specific for this conversation, is undeniably revolutionary. Its launching pad for the world, where more eyes are fixated on it now more than ever is Get Out (2017). A film that has shattered records financially, critically, and further, in prestigious recognition and beyond, writer Dianca London reminds us that writer/director Jordan Peele created a film that flawlessly "tears the veil between the reality of blackness and how it is imagined through the gaze of whiteness." Get Out , a black horror film is a worldwide success that refuses the white gaze by not only centering its Black protagonist Chris (Daniel Kaluuya), but canonizing him as an example of black survival in confronting a white supremacist society.

Graveyard Shift Sisters

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